What happens when a story begins not on a screen, but in the middle of everyday life? That’s exactly what unfolded in Porto with one of the latest activation campaigns - “They Stole the Style.” - that I did for a steetwear brand.


At first glance, the scene was simple, too simple. A clothing rack appeared in the middle of the city. No store window, no boutique, no shop. Just a rack standing boldly in three iconic locations around Porto. Hanging from it: a secret sample of the main piece from the upcoming collection.





The trail



Scanning the code unlocked the next chapter of the story, discovering hints about what’s next in a detailed case board with the classic corkboard with photos, notes and strings connecting clues.


This wasn’t just a stunt—it was a teaser campaign that instead of asking people to watch passively, we invited them to take part in the investigation. But the ultimate goal was to lead them to the brand’s Instagram page, where they could continue following the story.



Soon, things took a turn. The piece disappeared. All that was left behind was a hanger with a message and a QR code. The note read: “They stole the style but left a trail. Your move.” The streets had become the stage for a mystery.







What could have possibly gone wrong?



The rack could have been ignored. And it was. Some people didn't care at all. Others looked around to see if they were being recorded. A few smiled and made comments from a distance. And for some, the curiosity was strong enough for them to stop and scan the code. And that boldness, that refusal to just walk by is what the brand is all about.


In a world where attention is one of the hardest things to earn, this activation proved that sometimes a clothing rack and a daring idea are all it takes. By making curiosity the currency and participation the reward we turned fashion into an experience. Instead of simply announcing a drop, we created anticipation. Because in the end, people don't buy just for the style, they buy to be part of something bigger.




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